Monday, November 29, 2010

Golmaal 3 (2010) Full Movie Online Play

Golmaal 3 (2010) Free Online Play

This VIDEO EMBED Code:

[Movie+Reviews.gif]

Movie Review: Golmaal 3 (2010)
Starring:
Kareena Kapoor, Ajay Devgan, Mithun Chakraborty, Arshad Warsi, Tusshar Kapoor, Kunal Khemu, Johnny Lever, Shreyas Talpade, Ratna Pathak, Ashwini Khalsekar, anjay Mishra, Mukesh Tiwari, Vrajesh Hirjee, Murli Sharma, Vijay Patkar..
Directed by: Rohit Shetty..
Rating:*****

You see Mithun. You make way. As does this movie. It flashes back to mid ‘70s. Mithun da (Ayeeessh!) is the disco dancer. “I am a disco dancer” is the song on his lips, and his profession to the girlfriend’s dad: "Zindagi mera gaana. Mein kisika deewana (Life’s singing for me. I’m also crazy about someone).”

That father is Prem, Prem Chopra. The baldie isn’t too impressed. He hands over an empty suitcase, asks the poor boy to make Rs 5 lakh before he can claim his daughter’s hand. Mithunda says he sold halwa over weekends (Dance Dance). He sold coconuts during day (Agneepath). But he couldn’t make those lakhs and win his girl. Another Disco Dancer ditty, Yaad aa raha hai plays in the background, and as a full-on track. The spoof alludes to a minor phase in Bollywood, when Hindi movies had momentarily lost their mind. Mithun da willingly plays fine sport, pokes fun at himself.

This sequence could be a skit of its own, on MTV, Channel V, Laughter Challenge; if it hasn’t appeared already. So could the rest of Golmaal 3.

The film picks up all its humour from Bollywood alone. Practically every dialogue, almost every scene, refers to another film, or a celeb -- some of them who’re in the movie, and some who are not. “Kareena is on the Saif side”, Arshad is waris (inheritor), not a Warsi (his actual surname), Shahid Kapur is the kamina (from the movieKaminey)… The cutesy villain (Johnny Lever) is called Pritam (after the popular music composer).

He enviably suffers from a short-term memory loss. By the end of this flick, you wish, so could you. Or maybe you do. But do imagine a film industry screening of this comedy and all celebs in the house, rotfl (rolling on the floor laughing), as it were. It’s truly that filmi. And for most parts hardly as funny for all. The cast and crew certainly had a laugh filming it. They even held an extended discussion on the picture Ghajini for us. Great for them.

How about telling a story of your own? Well that again, I guess, can be outsourced to ‘70s Bollywood: Basu Chatterjee’s Khatta Meetha (1979), I suppose. Mithunda and his sweetheart once (Ratna Pathak Shah) are single still. Kareena Kapoor plays cupid, and gets them and their families together.

Old man fathers three adopted monsters: Ajay Devgn (can’t resist cracking people’s fingers), Shreyas Talpade (stammers for our pleasure). Old lady likewise mothers another set of aged orphans: Arshad Warsi, Kunal Khemu (in top form), Tusshar Kapoor (more moronic than mute). The two groups, supremely high on energy, hate each other. Another set of comic villains back the two gangs. Those buffoons have separate stories of their own. The missing link is the movie itself. No one anchors it.

Golmaal was a sleeper hit of 2006. Since then, several ensemble comedies (Dhamaal etc), some of them put together by this film’s team as well (Sunday, All The Best) have tried to repeat the run. Golmaal 2 (second-rate stuff) apparently raked in big bucks. Such success can boost anyone’s over-confidence. Which explains this turd part.

Close to three hours is long time in anyone’s life. It’s longer still to pack into a screenplay. The filmmakers have six main actors to juggle with, and as many side comedians to lend parts to. There’s a deadline (Diwali) to meet. Never mind the narrative, they’d be happy with as any corny antics and dialogues with whoever’s available. You can cheat shots for actors not present. Shoddiness shows.

They attempt every possible stunt. For an entertainment-starved audience, maybe, even this will do. After all, Jab Harsha hai toh Bhogle hai. Jab Asha hai toh Bhosle hai… What? Whatever!

Thursday, November 4, 2010

Dosti – Friends Forever (2005) Movie Online Play

BollyWood Movie Dosti – Friends Forever Online Play

Dosti – Friends Forever (2005) Full Movie Online Play Part 1

Dosti – Friends Forever (2005) Full Movie Online Play Part 2

[Movie+Reviews.gif]

Movie Review: Dosti – Friends Forever
Starring:
Akshay Kumar, Bobby Deol, Kareena Kapoor, Lara Dutta, Juhi Chawla, Kiran Kumar and Lilette Dubey
Directed by: Suneel Darshan
Rating:****

Right from DOSTI to DOST to YAARANA to SHOLAY to DIL CHAHTA HAI, male bonding has been explored time and again in Hindi films. Suneel Darshan's DOSTI - FRIENDS FOREVER treads a similar path. Armed with an attractive star cast and dollops of emotions, DOSTI - FRIENDS FOREVER could've been an old wine packaged in a new bottle. Thankfully, it is not!

Although DOSTI - FRIENDS FOREVER may seem like a film that has been attempted time and again, what makes it special is the twist in the story fifteen minutes before the intermission. From then on, things only get better.

However, DOSTI - FRIENDS FOREVER tends to follow a predictable path at times. It gets into theANAND / KAL HO NAA HO mould in the second hour and that's why the narrative seems repetitive. But Suneel Darshan's soaked-in-Indian emotions camouflage the defects.

To sum up, DOSTI - FRIENDS FOREVER isn't a classic or path-breaking cinema by any standard, but here's a film that delivers what it promises: Unadulterated Bollywood entertainment.

They had nothing in common. Karan [Bobby Deol] was wealthy and a mansion was his habitat. Raj [Akshay Kumar], an orphan, had empty pockets and the sky was his roof.

Karan's jet ensured that he could fly if he wanted. Raj could only depend on his two feet. Karan had a family [Kiran Kumar, Lilette Dubey] and yet craved for love. Raj had love to share, but craved for a family.

Karan was the eternal casanova. Raj was the proverbial one-woman man. Karan had it all, and yet felt empty. Raj had nothing, but his heart was full.

They were two people as different as can be. Yet they found a common ground. One that led to the glorious road of friendship. Their bond was unshakable.

If Karan gave Raj a home and all the material comforts, Raj gave Karan a shoulder and all the emotional security. If Karan supported Raj at every step, Raj covered up for all of Karan's misdoings. They laughed together, lied together, loved together and fought the odds together all in the name of friendship.

Their blind faith in each other was the envy of the world. But it was this very world that never let them forget that their's was not a relationship of equals. And how long could an unequal relationship sustain?

Karan and Raj defied conventions proving that true friendship was above all such trivialities. But like a bolt out of the blue came a raging storm that threatened to sink the ship that housed the sentiments of the two friends.

DOSTI - FRIENDS FOREVER boasts of a story that moviegoers may have witnessed since time immemorial. The rich guy-poor guy dosti is beaten to death in Bollywood. The stories could be the same, but their interpretation is what makes the difference. That's precisely why DOSTI - FRIENDS FOREVER works.

Suneel Darshan opens the cards at the very outset. The dosti is established in the first ten minutes itself. Thereafter, the bachpan ke dost grow up and sing, dance, laugh and lie together� everything is explained in the most predictable fashion. Frankly, there's not much novelty in the first half-an-hour of the enterprise.

Romance, fun n frolic and mandatory songs is what you get to see till something drastic happens fifteen minutes before the intermission. The viewer, who is now Watching the goings-on without much interest, suddenly straightens his position to see the dramatic change of events.

The twist in the tale -- Shakti Kapoor arriving at Mahesh Thakur's [Kareena's brother] residence and what follows is a heated confrontation, after which Akshay slaps Mahesh Thakur -- is a terrific moment in the story. From the writing as well as execution point of view, it is this sequence that proves to be a good turning point.

The post-interval portions have more to offer. The sequence at the airport -- when Akshay and Bobby are about to part ways and Bobby notices something -- is another twist that catches you by surprise. A few minutes later, Kareena's marriage to someone else is another shocker that only enhances your opinion about the film.

The pace drops intermittently. The song on Bobby and Lara after their patch up can easily be deleted since it only acts as a speed breaker. Even otherwise, the song is very thanda and sets in boredom, so why not come to the point straightaway? Also, Akshay trying to smoothen things, first with Bobby's mother and then Lara, then Bobby saving his errant sister in a night club, then Akshay bumping into Kareena in a caf shop well, they are all been-there-seen-that kind of situations that dilute the impact. The writers could've been more imaginative here!

Nevertheless, the film picks up again as Bobby weds Lara. The drama in the song, which continues right till the end, is quite engaging. The climax is emotional and would strike a chord with the families for sure.

Director Suneel Darshan may've opted for an age-old story, but his handling of the emotional and dramatic moments in the film deserves to be lauded. In fact, the confrontation between Akshay and Mahesh Thakur first and between Akshay and Bobby thereafter proves that Suneel knows the pulse of Indian family audiences.

Nadeem-Shravan's music is in sync with the mood of the film. 'Dulhaniya', 'Boogie Woogie' and 'Aisa Koi Zindagi Mein Aaye' are the best of the lot. 'Ishq Na Ishq Ho Kisi Se' [reminds you of 'Dulhe Ka Sehra Suhana Lagta Hain'] is a lyrical gem and the drama in the song is fascinating.
Cinematography [W.B. Rao] is eye-catching. The screenplay [Robin Bhatt, Shyam Goel] is full of pleasant surprises in the form of twists and turns, while the dialogues [Rumi Jaffrey, K.K. Singh] are wonderful.

Akshay Kumar is sure to walk away with laurels yet again. The actor has a serious role this time, but he handles it like a complete veteran. His contribution to the film, in the second hour especially, is noteworthy. Bobby Deol is first-rate, delivering a dependable performance yet again. Only thing, he needs to keep a check on is his styling and appearance.

The leading ladies don't have much to do in the enterprise, yet Kareena Kapoor excels in the two sequences that give her ample scope to display histrionics. Lara Dutta is only there to add to the glamour quotient. Juhi Chawla is appealing in a brief role. Kiran Kumar is as usual. Lilette Dubey is incredible. Karishma Tanna and Mona Chopra are passable. Mahesh Thakur is efficient. Shakti Kapoor and Aman Verma get no scope.

On the whole, DOSTI - FRIENDS FOREVER is a well made film that has some powerful emotional sequences as its ace. At the box-office, the combo of an attractive face-value and rich emotional appeal, besides popular music, will appeal to the family audiences mainly.

Dosti Hindi Movie Online Watch : Dailymotions Link : Alternative Link :

DOSTI - FRIENDS FOREVER Watch Part 1
DOSTI - FRIENDS FOREVER Watch Part 2
DOSTI - FRIENDS FOREVER Watch Part 3
DOSTI - FRIENDS FOREVER Watch Part 4
DOSTI - FRIENDS FOREVER Watch Part 5
DOSTI - FRIENDS FOREVER Watch Part 6
DOSTI - FRIENDS FOREVER Watch Part 7

Dosti Hindi Movie Online Watch : Dailymotion Link : Alternative Link :

DOSTI - FRIENDS FOREVER Watch Part 1(Eng Subs)
DOSTI - FRIENDS FOREVER Watch Part 2
DOSTI - FRIENDS FOREVER Watch Part 3
DOSTI - FRIENDS FOREVER Watch Part 4
DOSTI - FRIENDS FOREVER Watch Part 5
DOSTI - FRIENDS FOREVER Watch Part 6
DOSTI - FRIENDS FOREVER Watch Part 7

Dosti Hindi Movie Online Watch : Veoh Link : Alternative Link :

DOSTI - FRIENDS FOREVER Watch Part Full Movie

Note: You need VeohTV Software to DOSTI - FRIENDS FOREVER Watch Part Full Movie. Get Here

Dosti Hindi Movie Online Watch : Megavideo Link : Alternative Link :

DOSTI - FRIENDS FOREVER Watch Part 1
DOSTI - FRIENDS FOREVER Watch Part 2

Dosti Hindi Movie Online Watch : Youku Link : Alternative Link :

DOSTI - FRIENDS FOREVER Watch Part 1
DOSTI - FRIENDS FOREVER Watch Part 2

Dosti – Friends Forever (2005) Full Movie Online Play Part 1

Indian Movie Dosti – Friends Forever (2005) Free Online Play

This VIDEO EMBED Code:

Dosti – Friends Forever (2005) Full Movie Online Play Part 2

[Movie+Reviews.gif]

Movie Review: Dosti – Friends Forever
Starring:
Akshay Kumar, Bobby Deol, Kareena Kapoor, Lara Dutta, Juhi Chawla, Kiran Kumar and Lilette Dubey
Directed by: Suneel Darshan
Rating:****

So you think films about masculine friendships are outdated? Suneel Darshan's old-world film wallows in truisms and ties that we had left behind with films about 'true' friendship in the 1960s like "Sangam" and "Dosti".

The old-world values stretch from the main characters to the peripheral ones. Kiran Kumar and Lilette Dubey playing rich socialites could be Pran and Sonia Sahni in Raj Kapoor's "Bobby" 30 years ago. They neglect their only son and choose to attend meetings and kitty parties.

Long live the bourgeois class!

But that's another story. In "Dosti" we meet two friends who are ready to die for each other. The rich one, Bobby Deol, spends his time making out with sundry floozies in girls hostels (watch out for the vulgar booby-traps) while the poor one, Akshay Kumar, keeps bailing him out (watch out for Akshay The Comedian).

Akshay and Bobby with their Punjabi bravado look comfortable enough coping with the buddy-buddy business. It's a miracle they can go through the me-dost-you-the-most paces with such gusto.

Akshay has the superior part. He's fairly in charge here going through the light and cumbersome moments with melodramatic confidence.

The ladies, immaculately dressed and getting an equal share of Nadeem Shravan's bland songs, have little to do. Kareena succeeds in sinking her teeth into two vital dramatic interludes where she must deal with the seeming unfaithfulness of Akshay Kumar.

It's all a hectic hark back to the melodramatic machinations of cinema from the 1960s. The characters never rise above the material served out to them. What they do is to float freely over the flat but eye-catching surface that Darshan provides them.

While the first-half is styled as a mirthful riotous mélange of scenes depicting male camaraderie and male-female courtship, the editing patterns in the second-half take a sudden swerve to suggest a close affinity with the popular American serial "Friends".

The same storytelling pattern was apparent in Nikhil Advani's "Kal Ho Na Ho". In fact a major part of Akshay Kumar's relationship with his sweetheart Kareena, best friend Bobby, family doctor Juhi Chawla and death (in the order) directly echo "Kal Ho Na Ho".

But the sound is not quite lucid. The temptation to derive formulistic pleasure from the drama of male bonding is often superseded by pockets of pedestrianism that peep out of the film's generally sleek exterior.

Much of the masculine sentimentality and male maudlinism, so appropriate to Raj Kapoor's and Rajendra Kumar's passionate camaraderie in "Sangam", seems hopelessly out of place in the present day age of sexual cynicism.

It's like those homophobic 'Kanta Behn' jokes in "Kal Ho Na Ho" (remember how much Shah Rukh Khan and Saif Ali Khan enjoyed the maid Sulabha Arya's horror at their gay jokes?) had suddenly been shorn of all irony.

At most "Dosti" is an ode to the era of non-cynicism when to be gay meant to be happy. No more.

Dosti – Friends Forever (2005) Full Movie Online Play Part 2

Indian Movie Dosti – Friends Forever (2005) Free Online Play

This VIDEO EMBED Code:

[Movie+Reviews.gif]

Movie Review: Dosti – Friends Forever
Starring:
Akshay Kumar, Bobby Deol, Kareena Kapoor, Lara Dutta, Juhi Chawla, Kiran Kumar and Lilette Dubey
Directed by: Suneel Darshan
Rating:****

So you think films about masculine friendships are outdated? Suneel Darshan's old-world film wallows in truisms and ties that we had left behind with films about 'true' friendship in the 1960s like "Sangam" and "Dosti".

The old-world values stretch from the main characters to the peripheral ones. Kiran Kumar and Lilette Dubey playing rich socialites could be Pran and Sonia Sahni in Raj Kapoor's "Bobby" 30 years ago. They neglect their only son and choose to attend meetings and kitty parties.

Long live the bourgeois class!

But that's another story. In "Dosti" we meet two friends who are ready to die for each other. The rich one, Bobby Deol, spends his time making out with sundry floozies in girls hostels (watch out for the vulgar booby-traps) while the poor one, Akshay Kumar, keeps bailing him out (watch out for Akshay The Comedian).

Akshay and Bobby with their Punjabi bravado look comfortable enough coping with the buddy-buddy business. It's a miracle they can go through the me-dost-you-the-most paces with such gusto.

Akshay has the superior part. He's fairly in charge here going through the light and cumbersome moments with melodramatic confidence.

The ladies, immaculately dressed and getting an equal share of Nadeem Shravan's bland songs, have little to do. Kareena succeeds in sinking her teeth into two vital dramatic interludes where she must deal with the seeming unfaithfulness of Akshay Kumar.

It's all a hectic hark back to the melodramatic machinations of cinema from the 1960s. The characters never rise above the material served out to them. What they do is to float freely over the flat but eye-catching surface that Darshan provides them.

While the first-half is styled as a mirthful riotous mélange of scenes depicting male camaraderie and male-female courtship, the editing patterns in the second-half take a sudden swerve to suggest a close affinity with the popular American serial "Friends".

The same storytelling pattern was apparent in Nikhil Advani's "Kal Ho Na Ho". In fact a major part of Akshay Kumar's relationship with his sweetheart Kareena, best friend Bobby, family doctor Juhi Chawla and death (in the order) directly echo "Kal Ho Na Ho".

But the sound is not quite lucid. The temptation to derive formulistic pleasure from the drama of male bonding is often superseded by pockets of pedestrianism that peep out of the film's generally sleek exterior.

Much of the masculine sentimentality and male maudlinism, so appropriate to Raj Kapoor's and Rajendra Kumar's passionate camaraderie in "Sangam", seems hopelessly out of place in the present day age of sexual cynicism.

It's like those homophobic 'Kanta Behn' jokes in "Kal Ho Na Ho" (remember how much Shah Rukh Khan and Saif Ali Khan enjoyed the maid Sulabha Arya's horror at their gay jokes?) had suddenly been shorn of all irony.

At most "Dosti" is an ode to the era of non-cynicism when to be gay meant to be happy. No more.

cclicking-468x60